Two-story Contemporary Strathmoor House Designed by WA Design

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Tuesday, February 28, 2012. Creative Home Idea added document about Two-story Contemporary Strathmoor House Designed by WA Design chapter. The also hook up with Architecture, Bathroom, Building, Contemporary Home, Decorating Ideas, Exterior Design Idea, Fireplace, Garden, Green House, Houses, Interior Design Idea, Kitchen, Lighting, Living Room, Lounge, Minimalist Home Design, Park, Residence, Resort, Studio group. The document and snapshot posted on Tuesday, February 28th 2012 in high quality. If you need to get the picture, you must right-click on this photo then click on "Save Image As..." menu.

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Home lover, this is really creative work. This time based in Berkeley studio WA Design has completed the Strathmoor House project. It is a two-story contemporary residence. This building sits on gently sloping ridge top in the East Bay hills in Berkeley, California, USA. This home is designed in modern style. The shape of home is interesting. The architect added that the initial design criteria required privacy from the street and attention to the western views of the San Francisco Bay. It is cool, isn’t it? We can be comfortable to stay longer. Moreover, the shell wall is a study of carefully moderated transparency, both acoustic and visual, with minimal windows set on the module of the cement panels. The entry breaks through the wall, again a study in transparency with a combination of clear and translucent glass set in a steel frame. Above and behind this wall are two vaulted metal rooflines that hint at a dramatic interior volume. You should like it. Let’s look at the pictures and complete explanation of Two-story Contemporary Strathmoor House Designed by WA Design to read more.

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Berkeley-based studio WA Design has completed the Strathmoor House project.This two-story contemporary residence sits on gently sloping ridge top in the East Bay hills in Berkeley, California, USA.Strathmoor House by WA Design:“The Strathmoor House is located on a gently sloped parcel in the area devastated by the 1991 Oakland firestorm. When we began the design process in 1996, the area was only partially rebuilt and remained studded with charred remnants of houses and landscaping. Our design needed to respond to effects from the few immediate neighbors who had rebuilt as well as the advancing redevelopment of the area. The extended street frontage of the shallow site left the building area particularly exposed to the noise and view of passing vehicles and pedestrians on the uphill side. The initial design criteria required privacy from the street and attention to the western views of the San Francisco Bay. To establish privacy we introduced a curved shell wall, clad with cement board panels, that conforms to the street edge and presents an opaque textural surface. The shell wall is a study of carefully moderated transparency, both acoustic and visual, with minimal windows set on the module of the cement panels. The entry breaks through the wall, again a study in transparency with a combination of clear and translucent glass set in a steel frame. Above and behind this wall are two vaulted metal rooflines that hint at a dramatic interior volume. This is a home that has its back to the street; an opaque shell that, when opened, reveals a surprise of volume and transparency. The entry sequence blurs the distinction between indoors and out. Rough cement plaster walls extend inside to become the walls of the entry volume. Envisioned as a space between the buildings, like an exterior plaza, the entry volume organizes the flow through the home. The experience of this “outdoor space” is enhanced and strengthened by building elements that address the space with raw finishes typical of building exteriors. Rough cement plaster, metal siding, stained concrete floors, and galvanized stairs all provide a seamless transition from the streetside entry through to the view side of the home and a two-story window wall opening to the garden. Facing south, this window wall shines daylight into the surrounding spaces and dramatically opens views to the San Francisco Bay. We tied the second-story living area to the ground floor and garden with a grand staircase that descends from the upper patio. Developing tension, even vertigo, circulation between the kitchen and outdoor patio is constrained to a narrow metal bridge of perforated steel. This bridge provides an unusual, suspended view back into the core of this hillside home.”